Despite hearing of a number of unfavourable online reviews, we decided to catch Glass (2019) in the cinema today and came out of it enjoying director M. Night Shyamalan’s vision of a comic book universe set in the real world.
Shyamalan did a masterful job weaving in familiar comic book troupes into, what I have come to understand, is the third installment in the Unbreakable film series.
As part of my education as an aspiring comic book writer, I have made it a point to find time to listen to the creative process of other writers. It is a mandate has also made me more open to the idea of reading books that fall outside the Marvel and DC Comics spectrum.[i] This will be the first of many posts where I’ll try to pass on what I’ve learned about the creative writing process or maybe something about comics in general.
The difference between single issues and trade paperbacks
In one particular interview featuring writer Ed Brubaker (Captain America, Kill or Be Killed), someone asked if the essays located in the backspace[ii] of several issues of Fatale[iii] would ever be compiled into a trade paperback or featured as additional material in future editions of Fatale.
Brubaker’s response was simple: No.
He reasoned that it was a complicated process as there were many authors who had contributed essays throughout Fatale’s 24-issue run. These were published as one-offs–meaning that any subsequent publishing would require consent from the aforementioned authors.
Therefore, the essay material would then remain exclusively in the single issues and serve–at least in my mind–as an added incentive to get them.[iv]
Guardians of the Galaxy Vol. 2 (The non-spoiler edition)
Was with the Fam yesterday and we were able to catch the 9:00 pm advance showing of Guardians of the Galaxy Vol. 2.