Posting this one before calling it a night. I just know if I put it off, I’ll never get it done.
When people my age think about The Penguin, one singular image comes to mind: Danny DeVito in 1992’s Batman Returns. Similar visual comparisons have also been made to the version that eventually appeared in Batman: The Animated Series.
It was (and still is) a truly iconic image of The Penguin.
When I heard that this Deluxe Edition was part of the Big Bad Wolf Book Sale, my family and I just had to make a return trip to The World Trade Center to see if I could scope up a copy for myself.
This time around, the books were less organized (as compared to Day 1…and understandably so) but I managed to dig out a single copy. Yep, just one.
Still no sign of that Frank Quitely Graphic Ink book though.
The first time I read Mike Carey (story) and Peter Gross (art) The Unwritten, I was drawn in immediately and couldn’t put it down. The Deluxe Edition Book One is the story of Tom Taylor, a man who has spent almost his entire life under the shadow of his father’s creation: A Harry Pottersque character that was based on Tom called Tommy Taylor.
Years after his father–Wilson Taylor’s–mysterious disappearance, Tom is suddenly subjected to an inquisition that put his very existence into question.
The Unwritten: The Deluxe Edition Book One collects the first twelve issues of the series.
During one of our family vacation scheduled “free days,” my brother Tim and I decided to make a trip to famous St. Mark’s Comics in East Village. To be honest, it was a miracle that we finally found the establishment as we relied heavily on the New York Transit Systems’ free internet connection in order to access my mobile phone’s GPS and online maps.
Inside the premises
Once I entered St. Mark’s, I was informed by one of their attendants that I would need to leave my satchel behind a bookshelf/divider across the counter. I was hesitant at first as I had everything in there, but I eventually relented and pocketed the number tag they gave me.
For many, Free Comic Book Day (FCBD) serves as an annual opportunity to get new readers (as well as old ones) into the hobby by offering a wide selection of books that they would not normally pick up. But in recent years, the status quo of FCBD in the Philippines has evolved beyond its original purpose and into an event wherein the local comic distributors and artists give back to comic book community.
For me, the highlight of FCBD 2017 was being able to attend Leinil Yu’s signing over at Filbar’s Megamall.[i] Without going into great detail, Leinil was very gracious and accommodating. Thank you again Leinil!
As part of my education as an aspiring comic book writer, I have made it a point to find time to listen to the creative process of other writers. It is a mandate has also made me more open to the idea of reading books that fall outside the Marvel and DC Comics spectrum.[i] This will be the first of many posts where I’ll try to pass on what I’ve learned about the creative writing process or maybe something about comics in general.
The difference between single issues and trade paperbacks
In one particular interview featuring writer Ed Brubaker (Captain America, Kill or Be Killed), someone asked if the essays located in the backspace[ii] of several issues of Fatale[iii] would ever be compiled into a trade paperback or featured as additional material in future editions of Fatale.
Brubaker’s response was simple: No.
He reasoned that it was a complicated process as there were many authors who had contributed essays throughout Fatale’s 24-issue run. These were published as one-offs–meaning that any subsequent publishing would require consent from the aforementioned authors.
Therefore, the essay material would then remain exclusively in the single issues and serve–at least in my mind–as an added incentive to get them.[iv]
Guardians of the Galaxy Vol. 2 (The non-spoiler edition)
Was with the Fam yesterday and we were able to catch the 9:00 pm advance showing of Guardians of the Galaxy Vol. 2.
Do you remember when you stopped collecting comics?
The day, February 26, 2017.
It was coming as I had grown increasingly weary of Marvel’s continuing reboots and simply wanted to finish Dan Slott’s current Dead No More: The Clone Conspiracy arc–the first current Marvel title I’ve collected since that late 90’s.
Slott, Spider-Man’s incumbent writer, had caught my eye in 2015 with his Superior Spider-Man run. For those unfamiliar with the book, the premise alone was intriguing: What would happened if a dying Doctor Octopus was able to switch bodies with the Amazing Spider-Man Peter Benjamin Parker?