Had some time this morning to sit down and read a couple of the books that I purchased yesterday: Captain America #8 and Simone Bianchi and Mark Millar’s Sharkey The Bounty Hunter #1.
Sharkey The Bounty Hunter #1 (Volume #1 | 2019)
Now, I wasn’t immediately drawn to the name “Sharkey The Bounty Hunter” or its science fiction kid/parent dynamic premise but decided to give it a chance since I am a big fan of Mark Millar related properties…and I’m glad I did. In addition, Italian artist Simone Bianchi’s art clearly stands out in more ways than one.
I know that last sentence is pretty vague but do ask me about it if ever we meet up in person.
After work this morning, I proceeded to Comic Odyssey in Fully Booked, Bonifacio High Street for the Secret Empire #4 signing event featuring Leinil Francis Yu, Gerry Alanguilan, and Romulo Fajardo, Jr.
The afternoon signing–scheduled from 1 pm to 4 pm–served as a reunion of sorts for the longtime creative team of Yu and Alanguilan who haven’t had a signing together in well over a year. It was great to see them both.
For those of you who may be too young or unaware of the history of CapWolf, it is a Captain America (Volume 1) story that ran for six issues (#402-#407) way back in 1992. The gist of the story: Captain America turns into a werwolf and dukes it out with Logan. After the dust settles, Cap manages to regain human form.
As a way to join in on the collective efforts of the comic book community, I have donated this original inked Superior page (Issue #4 | Page #15) and left it with the kind people of Druid’s Keep/DK Collectibles, Inc. over at their Fort branch.
Art by Leinil Francis Yu and inked by Gerry Alanguilan, Superior (2010) holds the Guinness Book of World Records for being the fastest comic ever produced as well as having the most number of creators working on a single comic.
Sir Gerry signed the piece at the Komikero Komiks Museum in San Pablo City on August 13, 2016, while Leinil added his signature during Free Comic Book Day 2017 at Filbar’s Megamall.
As part of my education as an aspiring comic book writer, I have made it a point to find time to listen to the creative process of other writers. It is a mandate has also made me more open to the idea of reading books that fall outside the Marvel and DC Comics spectrum.[i] This will be the first of many posts where I’ll try to pass on what I’ve learned about the creative writing process or maybe something about comics in general.
The difference between single issues and trade paperbacks
In one particular interview featuring writer Ed Brubaker (Captain America, Kill or Be Killed), someone asked if the essays located in the backspace[ii] of several issues of Fatale[iii] would ever be compiled into a trade paperback or featured as additional material in future editions of Fatale.
Brubaker’s response was simple: No.
He reasoned that it was a complicated process as there were many authors who had contributed essays throughout Fatale’s 24-issue run. These were published as one-offs–meaning that any subsequent publishing would require consent from the aforementioned authors.
Therefore, the essay material would then remain exclusively in the single issues and serve–at least in my mind–as an added incentive to get them.[iv]
Guardians of the Galaxy Vol. 2 (The non-spoiler edition)
Was with the Fam yesterday and we were able to catch the 9:00 pm advance showing of Guardians of the Galaxy Vol. 2.
Do you remember when you stopped collecting comics?
The day, February 26, 2017.
It was coming as I had grown increasingly weary of Marvel’s continuing reboots and simply wanted to finish Dan Slott’s current Dead No More: The Clone Conspiracy arc–the first current Marvel title I’ve collected since that late 90’s.
Slott, Spider-Man’s incumbent writer, had caught my eye in 2015 with his Superior Spider-Man run. For those unfamiliar with the book, the premise alone was intriguing: What would happened if a dying Doctor Octopus was able to switch bodies with the Amazing Spider-Man Peter Benjamin Parker?